My relationship
with Texas started in the late 90s when I flew to Dallas (from Ohio) for art
consulting. I remember a rough flight, the kind where the plane swings broadly
side-to-side. With uneasiness stirring, I thought, “Oh, unfriendly air.”
Little did I
know.
Strong wind has
personality. It was a Texas spring blowing with abandon. Five climate zones
converge in the Dallas-Fort Worth area, and that’s a mighty fine meet up. Think
of it as one heck of a hug.
Today I’d smile
while thinking that air thought differently: “Howdy Texas! Looks like we have a
rodeo!”
I had no idea
that ten years later I’d be living here.
Or that
“unfriendly” would be the last adjective I’d use to describe being here.
When I think of
Texas now, I think of beautiful people.
I’ve fallen in
love. Deep love.
Which is why
I’m here writing tonight, on the eve of driving away on our next adventure
(we’re headed to Florida). I’m calling your names. One-by-one. Slowly, I’m
letting memories of you come. You’re here.
I’m joyful and
sad at the same time.
I am so happy we met, that we found each other. I even believe I came here to be with you, to heal and grow in your love and wisdom, to ride that buck of a cancer project. (Thank you. I’m stable and feel my healthiest ever. I love being alive. Thank you.)
I am so happy we met, that we found each other. I even believe I came here to be with you, to heal and grow in your love and wisdom, to ride that buck of a cancer project. (Thank you. I’m stable and feel my healthiest ever. I love being alive. Thank you.)
I wrote last month about not being so good at letting love in. Well, guess what? I’m good at
it now. I’m so good at it.
Because I feel
all of your love. I’m letting you in.
And right now
it’s hurting.
Why of course, I
know that you’re forever in my heart, in my cells (thank you Thay for helping
me understand this). And that our relationship is not ending, it’s
transforming.
But, the grief
part. That’s different.
Letting go of
the luxury, the pure luxury of sitting in your presence, walking with you,
studying with you, tending the garden with you, practicing yoga next to you,
reading books with you, tap dancing next to you, sitting in the clinic counting
love chemo drips along with you. Well, that kind of sadness in missing you is
coming like a wave.
(Time to take a
break to blow my nose.)
I told some of
you this already. But I need to hear it again myself to embolden my ability to
ride this detachment river. It’s about feelings. And being able to stay with
them.
Having feelings
for me is a lot like that kid’s book, We’re Going on a Bear Hunt by Helen
Oxenbury and Michael Rosen. When a brave family comes upon a difficult
landscape such as a mucky swamp, they exclaim something like this, “Oh! A
swamp, are you afraid? I’m not afraid. We can’t go over it. We can’t go under
it. We have to go through it.” And they do: splish, splosh, splash, muck. They
don’t stop in the middle, they keep going. It’s the same for feeling any
emotion.
Why go through
the swamp, high grasses, or raging rivers of my experiences? Because
unexpressed feelings show up later, in other events. And I know way too much
about that. So I’m feeling this as it arises, and using that energy to write.
I feel myself
settling and my tears ending (for now). I better understand the bigger picture
of friendship.
I recently
reread Anne Morrow Lindbergh’s book, Gift From the Sea. In it she says
that a good relationship has a pattern like a dance. The partners do not hold
tightly because they move with confidence in the same pattern, moving and
nourished by the same rhythm. She references a favorite verse as she describes
this dance, one I've memorized:
“He who binds
to himself a joy
Doth the winged
life destroy,
But he who
kisses the joy as it flies
Lives in
Eternity’s sunrise.” – William Blake
I know what to do. Kiss the joy, Susan. Let go.
I realize that “there is no place here for the possessive clutch, the clinging arm, the heavy hand; only the barest touch in passing” (Lindbergh, p. 96).
I realize that “there is no place here for the possessive clutch, the clinging arm, the heavy hand; only the barest touch in passing” (Lindbergh, p. 96).
Tomorrow
early, I’ll smile and drive into the rising golden sun. Of course, you'll be riding with
me.